Hana Miletić (*1982, Zagreb, lives and works in Brussels) reflects on issues of representation and social reproduction, by making linkages between photography and weaving. The artist models her woven textiles after her photographs that document repairs in public space. Miletić uses the weaving process – which requires considerable time and dedication – as a way to counteract certain economic and social conditions at work, such as acceleration, standardisation and transparency.
Group-exhibition
"And Your Flesh Is My Greatest Poem"
Curated by Mohamed Almusibli
27.09.–03.11.2022
Antenna Space, Shanghai
www.antenna-space.com.com
Group-exhibition
"Museum in Motion 2
MuHKA, Antwerp
16.09.2022–08.01.2023
www.muhka.be
ONSEN CONFIDENTIAL
Misako&Rosen, Tokyo
05.09.–25.09.2022
www.misakoandrosen.jp
Manifesta 14
Hotel Grand, Prishtina
22.07.–30.10.2022
www.manifesta14.org
Solo-exhibition
"Komadi/Pieces"
Museum of Contemporary Art Rijeka, Rijeka
09.07.–02.10.2022
www.mmsu.hr
Group-exhibition
"Afterimage"
MAXXI L’Aquila, L’Aquila
01.07.2022–19.02.2023
Solo-exhibition
"Baloise prize presentation"
MUDAM Luxembourg, Luxembourg
21.05.–29.09.2022
www.mudam.com
Group-exhibition
"Jaimes"
curated by Marie de Gaulejac
Triangle-Astérides, centre d'art contemporain d'intérêt national, Marseille
24.06.–16.10.2022
Solo-exhibition
"Soft Ties"
CURA. Basement Roma, Rome
23.03.–06.05.2022
www.curamagazine.com
Press
Frieze, October 2021
Chus Martínez, Portrait Hana Miletić
Artforum, September 2021
Baloise Art Prize 2021
Ocula Magazine, July 2021
Diana Campbell Betancourt, In Conversation with Hana Miletić
CURA, June 2021
Hana Miletić Patchy
Artforum, January 2020
Kate Sutton, Openings Hana Miletić
art-agenda, April 2019
Vincent van Velsen, Hana Miletić’s “Materiale”
blok, March 2019
Romuald Demidenko, From Automation to Households, and Back.
mousse, July 2018
Vincent van Velsen, CONVERSATIONS Hana Miletić